Where To, From Here brings together 140 photographs drawn from an ongoing series begun in 2023, which now comprises approximately 280 images. Made primarily with Polaroid film, the photographs trace Mohammed’s travels across the United States, documenting people, places, and sites of gathering along the way. https://www.baxterst.org/all-exhibitions/?schedule=upcoming
Bruce Silverstein Gallery is pleased to announce Land, Line, Blood, Memory, the gallery’s third solo exhibition of work by Chitimacha/Choctaw artist Sarah Sense (b. 1980), who for more than two decades, has been a defining voice in contemporary photography. Comprising of more than twenty new photo-weavings made from the artist’s contemporary landscape photographs, archival documents, historical […]
Gagosian is pleased to announce an exhibition of new work by Jordan Wolfson at 555 West 24th Street in New York. This is the artist’s first exhibition with the gallery in New York. A selection of new uniformly scaled sculptures incorporates emblematic color and black-and-white photographs, sourced online and from personal and academic archives, that […]
Jack Shainman Gallery is pleased to announce Voices in the Mirror, an exhibition that revisits images by Gordon Parks through the reflections of the people and families he photographed. For the very first time, the families of Muhammad Ali and Malcolm X, among others, have reflected on the photographs Parks made and their enduring power. Marking the 20th anniversary […]
It is with tremendous joy that I write to share good news: On September 18, 2026, Aperture will open the doors to a permanent home at 380 Columbus Avenue in New York City. Along with my brilliant colleagues and our dedicated board of trustees, we cannot wait to welcome you to this space for “serious photographers […]
Taryn Simon | Father Country I Do Love You premieres a monumental body of work by artist Taryn Simon (b. 1975, New York). Filling the entire rotunda, the presentation brings together never-before-seen photographs, text, videos, and sculptures into a singular interactive installation. Taryn Simon | Father Country I Do Love You marks the first monographic […]
In 1972, the West German artist Marianne Wex began a visual survey of gendered body language. She picked up her camera and covertly photographed people in her hometown of Hamburg, observing how men and women were socialized to inhabit space differently. She also rephotographed pictures from advertisements, newspapers, magazines, film, television, and art catalogues, pasting […]
Spanning two floors of the newly expanded New Museum, Arthur Jafa: I Am Tony encompasses the practice of one of the most influential artists of his generation. Alongside the premiere of new work, the exhibition will feature Jafa’s most celebrated works, including Love is the Message, The Message is Death (2016) and the Golden Lion-winning […]
In On Rape and Institutional Failure, an exhibition centered on the second chapter of her ongoing project A History of Misogyny, Laia Abril examines different forms of violence against women throughout history. Weaving together images, compiled testimonies, archival materials, select objects, and installations with sound and video, the exhibition investigates how gender-based stereotypes, coupled with […]
I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now reconsiders and expands on the history of Japanese photography through the work twenty-eight intergenerational artists from the 1950s to today. Presented in partnership with Aperture and curated by Pauline Vermare, Lesley A. Martin, and Takeuchi Mariko, the exhibition includes work Fujioka […]
Ain’t No Grave Gonna Hold My Body Down is drawn from a body of work by Stacy Kranitz that examines visual depictions of Appalachia from the invention of photography to the present day, tracing how the region has been constructed, challenged, and reimagined over time. The exhibition follows a chronology that begins with the first […]
Curated by Yasufumi Nakamori. https://leslielohman.org/exhibitions/props-two-works-with-jason-wee-and-eikoh-hosoe
