Yves Saint Laurent and Photography explores the powerful relationship Yves Saint Laurent forged between fashion and photography over four decades, revealing how photography functioned not only as a tool for promotion but also as a creative force that helped define a legacy. Organized in collaboration with the Musée Yves Saint Laurent Paris and the Fondation Pierre […]
Photobooks USA 2000–25 explores how the photobook has emerged as a powerful tool for artists to respond to the forces shaping contemporary life in the United States. Over the past 25 years, this evolution is reflected in the growing number of publications, a wider range of publishers, bold experimentation in design, and greater inclusivity. Featuring […]
In On Rape and Institutional Failure, an exhibition centered on the second chapter of her ongoing project A History of Misogyny, Laia Abril examines different forms of violence against women throughout history. Weaving together images, compiled testimonies, archival materials, select objects, and installations with sound and video, the exhibition investigates how gender-based stereotypes, coupled with […]
I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now reconsiders and expands on the history of Japanese photography through the work twenty-eight intergenerational artists from the 1950s to today. Presented in partnership with Aperture and curated by Pauline Vermare, Lesley A. Martin, and Takeuchi Mariko, the exhibition includes work Fujioka […]
