3 Days on the Streets of Downtown NYC
Fri–Sun, May 14–16, 2027
Downtown Manhattan · 10 photographers + 1 free student · $1,200
Spend three days shooting SoHo, Nolita, Chinatown, and the Lower East Side with a lifelong New Yorker — the neighborhoods where I made my HYPE and Glass City projects, and some of the best street photography ground in the world.
You’ll come home a more confident photographer with a nuanced understanding of downtown New York, and with some new photographer friends!
WHAT THIS IS
For three days, we explore downtown Manhattan together and learn how to capture it in a nuanced and ethical way. Every few blocks has a different character: we’ll move through an area that brings together some of the most artistic and fashionable people in the city — a spectrum from the richest, luxury-logo-sporting crowd to the longtime older artists, and everyone in between.
We’ll learn the old history and the new happenings, and how what we see tells the story of modern New York — old cast-iron buildings, colored walls and alleys, the crowds on Canal and Prince Streets, the fashion and hype culture around SoHo and Nolita, the markets of Chinatown, and the small artistic businesses of the Lower East Side.
I’ve been photographing this city since 2002 and running workshops here since 2010, and I’m a certified New York history guide as well as a writer — so we don’t just shoot. You learn what you’re looking at and why it matters.
WHO IT’S FOR
All skill levels are welcome — and we encourage mixing them. We spend the first day on presentations and education so everyone can hit the weekend running.
I’ve taught countless total beginners who’d never pointed a camera at a stranger, as well as working photographers looking for a new perspective and a push. Bring whatever you shoot — a pro body, a mirrorless, or your phone. If street photography scares you a little, good. New York is the best place in the world to get over that, and getting you over it is half of what I’m here for. We’ll teach you how to shoot in a conscientious, respectful, and ethical way.
(While we of course focus on city street photography, we’ll also get into the nuances of photographing quieter, suburban areas, which use different strategies.)
WHAT WE’LL DO
*This is a tentative schedule. The schedule below may change to take advantage of the best weather. A full schedule and workshop details will be emailed to participants closer to the workshop date.
Friday, May 14 · 9:30am–5pm — Presentations & Free Shooting:
We meet at the workshop location at 9:30am and start at 10 with a 90-minute presentation. From there, you get two hours to free shoot around SoHo and grab lunch. At 1:30, we run a second 90-minute session on the history of the great street photographers, followed by two more hours of free shooting. We regroup at 4pm for a debrief, then walk over to Chinatown for an optional dinner.
Saturday, May 15 · 10am–5pm — SoHo, Nolita & Hype
Beginning at 10am, we head through Nolita and into SoHo — the heart of my HYPE project — and up to Washington Square Park, chasing the hype and fashion culture, the old alleyways, and a variety of creative corners. At the end of the day we stop for conversation, drinks, and food for anyone who wants to stay.
Sunday, May 16 · 10am–5pm — Old Downtown: the LES & Chinatown
Beginning at 10am, we spend the day exploring the Lower East Side and Chinatown, the heart of old downtown New York, with a massive variety of subjects to cover. We’ll also spend one focused hour inside the International Center of Photography — by far my favorite photography museum in the city — before heading back out to shoot the rest of the day.
Post-Workshop — The Group Screening
A few weeks after the workshop, everyone submits their favorite 15 photographs from the weekend, and I put together a presentation of the whole group’s work to share with everyone.
Confirmation: Confirmation and payment info will be sent soon after registration. A registration is not confirmed until payment is complete.
Where: It’s recommended to stay near SoHo, Nolita, Little Italy, the East Village, the Lower East Side, or Chinatown. The seminar space, which we use only on Friday, is near Broadway and Grand Street in SoHo at 447 Broadway, 2nd Floor. I’ll email a suggested hotel list upon confirmation.
Equipment: Since the workshop involves a lot of walking, comfortable shoes and traveling light are recommended whenever possible. You can bring and leave a laptop in the conference space on Friday, but there’s nowhere to leave it over the weekend. Extra batteries are highly recommended.
Price: $1,200
Size: 10 people + 1 free student
Email James if you have any schedule, hotel, or equipment-related questions.
Common Questions
Do I need experience? Is this too advanced for a beginner?
Not at all — beginners are welcome and common. We often have beginners using an iPhone and they have a great time and contribute to the group. We spend the first day on education and build from there, and I tailor the coaching to each person. If you’ve never photographed a stranger before, this is the best place in the world to start, and getting you comfortable is a big part of the job.
What camera do I need?
Whatever you’ve got — a pro body, a mirrorless, or your phone. The eye and enthusiasm matters more than the gear, and that’s what we work on. Just bring extra batteries and an empty card, and travel light. If you’re using your phone, bring a battery pack.
What if it rains, or I can’t make it?
Light rain is beautiful to shoot in; if the weather turns severe, I stay flexible with the schedule, and we duck into museums and shoot indoors during the worst of it. And if your plans change: cancel 90 or more days before the workshop and you’ll get a full refund, less a $100 admin fee; inside 90 days, it’s refundable only if you or I can fill your spot (I often can). I try to be fair and human about it.
Reviews:
“In 5 minutes he changed the way I will do street photography for life.” — Duncan Stafford
“As a workshop veteran, I honestly can’t see how you could have made it better… I am trying to find something to improve but nothing was even B- work.” — George Whitson
“They felt like hidden gems down random alleys, and architecture I never ever would have seen in my life had it not been for James… I ended the workshop with some really good photos to take back to New Zealand that I was proud of.” — Chawit Rochanakit
“I left as a better and more confident photographer, and it changed my way to approach the street.” — Lars Wiklund
“Hard to beat the experience of following James on a shooting-walking tour of lower Manhattan through a dozen or so diverse neighborhoods, each with different visual stimuli, changing light, cultural histories… By the end of Saturday, I began to feel more comfortable putting people into my pictures… Throughout, James was a generous and gentle instructor, comfortably smart about what he knows. His individualized instruction was just what I needed… I cannot wait for more!” — Sandra Ullmann
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