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X-WR-CALDESC:Events for New York Photography, Prints, Portraits, Events, Workshops
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DTSTART;VALUE=DATE:20260430
DTEND;VALUE=DATE:20261020
DTSTAMP:20260906T152623Z
CREATED:20260906T152623Z
LAST-MODIFIED:20260906T152623Z
UID:10000152-1777507200-1792454399@jamesmaherphotography.com
SUMMARY:Andy Warhol Family Album
DESCRIPTION:Few American artists have shaped modern visual culture as profoundly as Andy Warhol (1928–1987)\, whose experimentation with mass media helped define what it means to be an artist in an image-saturated age. Photography was central to Warhol’s philosophy and his obsession with self-representation. He carried a camera with him wherever he went\, taking hundreds of thousands of photographs during his career. Warhol purchased his first Polaroid in the mid-1960s\, and by the early 1970s\, it would become his tool of choice: both the Big Shot model\, ideal for close-ups with its fixed lens and bright flash\, and the more versatile\, portable SX-70. This technology was instrumental to his process—forming the first stages of his commissioned silkscreen portraits and a mode through which he could document compulsively\, treating his own life as material.  \nAndy Warhol Family Album presents a collection of Polaroids from 1972 to 1973 that captures Warhol’s immediate world of collaborators\, celebrities\, and friends. These photographs come from one of six Holson albums containing hundreds of snapshots Warhol maintained as a personal archive and named for the brand’s generic product type: the “family album.” Together the images—ranging from posed portraits and candid shots of guests visiting his home in Montauk\, Long Island\, to documentation of his travels to Europe and even pictures of his dog Archie—offer a varied glimpse into Warhol’s day-to-day life. \nhttps://whitney.org/exhibitions/andy-warhol-family-album
URL:https://jamesmaherphotography.com/event/andy-warhol-family-album/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort St\, New York\, NY\, 10014\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20251010
DTEND;VALUE=DATE:20260209
DTSTAMP:20250908T003259Z
CREATED:20250908T003259Z
LAST-MODIFIED:20250908T003259Z
UID:10000064-1760054400-1770595199@jamesmaherphotography.com
SUMMARY:Ken Ohara: CONTACTS
DESCRIPTION:Ken Ohara: CONTACTS is artist Ken Ohara‘s (b. 1942) first U.S. institutional solo exhibition. Featuring twenty-two photographs and four accompanying documents from his groundbreaking series CONTACTS (1974–76)\, this exhibition showcases Ohara’s innovative photographic experiment\, where he mailed a preloaded camera to strangers across the U.S.\, instructing them to document their own lives before passing the camera along. During this process\, Ohara relinquished authorship\, decentralizing his point of view but rather facilitating and cocreating a uniquely personal and democratic portrait of Americans and American life at a time of economic and political unrest.    \nThe resulting “contact sheets\,” a recent acquisition to the Whitney’s collection\, are shown in chronological order and offer intimate glimpses into the lives of participants across thirty-six states. The exhibition explores themes of human connection and the collective synchronicities of mundane life utilizing the groundbreaking analog photography of the 1970s and contemporary image-sharing culture. \nhttps://whitney.org/exhibitions/ken-ohara \n 
URL:https://jamesmaherphotography.com/event/ken-ohara-contacts/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort St\, New York\, NY\, 10014\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20241205
DTEND;VALUE=DATE:20250502
DTSTAMP:20250428T222828Z
CREATED:20250428T222828Z
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SUMMARY:Jeanne Moutoussamy-Ashe and the Last Gullah Islands
DESCRIPTION:Since the early 1970s\, artist\, activist\, and scholar Jeanne Moutoussamy-Ashe (b. 1951\, Chicago\, IL; lives and works in South Kent\, CT) has made photographs that testify to the beauty and complexity of Black life\, honoring the rhythms of the everyday and marking important rites of passage for the people who appear in them.  \nIn 1977\, following an earlier six-month independent study in West Africa\, Moutoussamy-Ashe traveled back across the Atlantic Ocean to Daufuskie Island\, which sits between Hilton Head\, South Carolina\, and Savannah\, Georgia. There and on the other surrounding Sea Islands\, she began making photographs among the Gullah Geechee—many of them descendants of the formerly enslaved people who acquired land from white plantation owners when they fled at the conclusion of the Civil War. For Moutoussamy-Ashe\, these places\, separated by the Atlantic\, were inextricably linked\, with the Sea Islands representing connective tissue within the Black diaspora; a place shaped by violent centuries of slavery and a community steadfast in the protection and nourishment of its unique culture and people. The Daufuskie Island photographs honor these entwined histories and the artist’s personal perspective. How images are made\, cared for\, and consumed are enduring concerns for the artist\, who maintains\, “Photography should force us to question ourselves and to question the environment in which we live.” \nDrawn from the Whitney’s collection\, this focused presentation includes a selection of Moutoussamy-Ashe’s black-and-white Daufuskie Island photographs and the artist’s related publications. Portraits of children and elders\, images of homes and the shoreline\, people at work and at rest\, and church services together form an impression of a community—and a place—on the cusp of great change.  \nJeanne Moutoussamy-Ashe and the Last Gullah Islands is organized by Kelly Long\, Senior Curatorial Assistant. \nhttps://whitney.org/exhibitions/jeanne-moutoussamy-ashe-last-gullah-islands
URL:https://jamesmaherphotography.com/event/jeanne-moutoussamy-ashe-and-the-last-gullah-islands/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort St\, New York\, NY\, 10014\, United States
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