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DTSTART;VALUE=DATE:20260312
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SUMMARY:Emmet Gowin: Baldwin Street: Photographs 1966-1994
DESCRIPTION:Pace will present an exhibition of photographs by Emmet Gowin\, most of which have never before been seen\, at its 508 West 25th Street gallery in New York from March 12 through April 25. The presentation of works from Gowin’s Baldwin Street: Photographs 1966–1994 series will coincide with the release of a new book on the same subject from Princeton University Press\, available for purchase onsite during the show. It will also run concurrently with AIPAD’s The Photography Show\, on view in New York from April 22 to 26.\nThe exhibition will spotlight a selection from Baldwin Street: Photographs 1966–1994\, a body of intimate portraits by Gowin of his wife Edith Morris and her extended family taken in Danville\, Virginia. Named after the dead-end street where many of Edith’s family members—including her mother\, Reva Booher Morris—lived\, the series bears witness to the lives and relationships that shaped this family over time and sheds light on Gowin’s artistic development across his career\, which spans more than six decades. \nGowin unearthed the photographs on view in the show—most of which have never been published and were printed for the first time in 2020–2022—from his archive\, looking back at and revisiting a subject that drew his attention during different stages of his life. “I never lost interest in the gestures or the faces of this dearest of families\,” he writes in a statement on Baldwin Street. “It was here that I came of age and found my first true subject.”\nThrough Gowin’s lens\, images of Edith in her bedroom or on a ladder in the yard\, of Reva and her sisters\, children playing\, family lounging outside\, and funeral onlookers\, are captured with tangible care and compassion\, reflecting the artist’s close relationships with these subjects. “Through Edith and her family\, Baldwin Street became the center of my spiritual universe\,” he writes. “For over fifty years\, those houses and yards\, along with Reva’s garden on Baldwin Street\, all the children\, the aunts and uncles\, that small but intensely vivid and inspiring world\, was in my mind the true center of the world.” \nGowin’s work—which will be the subject of a forthcoming exhibition at the Virginia Museum of Fine Arts—is held in numerous public collections worldwide including The Art Institute of Chicago; Cleveland Museum of Art\, Ohio; Los Angeles County Museum of Art; Maison Européenne de la Photographie\, Paris; Museum of Modern Art\, New York; and National Gallery of Canada\, Ottawa. In 2024\, the Princeton University Art Museum acquired the artist’s archive\, which will continue to grow as he produces new work. \nhttps://www.pacegallery.com/exhibitions/emmet-gowin-baldwin-street-photographs-1966-1994/
URL:https://jamesmaherphotography.com/event/emmet-gowin-baldwin-street-photographs-1966-1994/
LOCATION:Pace\, 508 West 25th Street\, New York\, NY\, 10001\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20251026
DTSTAMP:20250908T004742Z
CREATED:20250908T004742Z
LAST-MODIFIED:20250908T004742Z
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SUMMARY:Paolo Roversi: Along the Way
DESCRIPTION:Pace is pleased to present an exhibition of work by photographer Paolo Roversi at its 508 West 25th Street gallery in New York. Opening on September 12\, during New York Fashion Week\, and running through October 25\, this focused retrospective will feature works produced by Roversi between the early 1990s and the present\, highlighting the artist’s relationships with his many collaborators in the fashion industry.\n\n\n\n\n\n\n\n\n\n\nRoversi’s upcoming exhibition with Pace in New York—his first solo show with the gallery since 2019—will present an overview of his storied career through a selection of photographs created over the past 35 years.“Every portrait is a meeting\, an exchange\, a mutual intimate confession\,” Roversi has said of his work. The show will shed light on Roversi’s legacy as the artist behind some of the most iconic fashion images of our time. \nDrawing inspiration from the work of August Sander\, Robert Frank\, and Diane Arbus\, Roversi developed a distinctive style that is deeply influenced by the Byzantine architecture and rich cultural history of his birthplace\, Ravenna\, Italy. “Paolo’s photography is timeless\,” Sylvie Lécallier\, curator Roversi’s 2024 exhibition at the Palais Galliera in Paris\, said in an interview last year. “It is detached from the spirit of the times\, from the ephemeral trends of fashion. It is located both at the heart of fashion and at the edge.” \nMade with Polaroid film and mostly taken in his Parisian studio\, Roversi’s dreamlike\, enigmatic images are imbued with a classical sensibility. His studio\, he has said\, “is a place for the chance\, the dream\, the imaginary to prevail. I give these forces as much space as I can.”\n \n\n\n\nhttps://www.pacegallery.com/exhibitions/paolo-roversi-2025/
URL:https://jamesmaherphotography.com/event/paolo-roversi-along-the-way/
LOCATION:Pace\, 508 West 25th Street\, New York\, NY\, 10001\, United States
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DTSTART;VALUE=DATE:20250307
DTEND;VALUE=DATE:20250427
DTSTAMP:20250317T034144Z
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SUMMARY:Richard Learoyd: A Loathing of Clocks and Mirrors
DESCRIPTION:“Pace is pleased to present an exhibition of recent work by photographer Richard Learoyd at its 508 West 25th Street gallery in New York. On view from March 7 to April 26\, the exhibition will feature a selection of photographs Learoyd produced with his custom-built camera obscura between 2018 and 2025. Deeply inspired by Dutch Golden Age painting\, Learoyd’s latest works take viewers on a journey through intimate moments and intricate details\, examining the relationship between subject\, light\, and space. The photographs on display explore a range of subjects\, from hauntingly evocative portraits to still-life compositions that breathe life into the simplest of objects. \nLearoyd’s unique photographic processes require an immense degree of technical precision\, resulting in incredibly detailed\, luminous prints with a tactile richness rarely seen in contemporary photography. Reflecting on the delicate interplay between light\, shadow\, and form\, Learoyd’s work is imbued with a surreal\, auratic presence that speaks to his enduring interest in the notion of collective photographic memory—the idea that a picture can be felt and understood on a subconscious level. The artist is renowned for his masterful use of light and his ability to capture the profound depth and stillness of the human experience. \n“Light and space have always been central to my work\,” Learoyd explains. “I want to capture more than just an image; I want to convey a sense of time\, intimacy\, and presence—things that transcend the immediate and evoke a more timeless feeling.” \nHighlights in the exhibition\, carefully curated by Learoyd\, include a photograph of clasped hands\, an ode to Alfred Stieglitz’s images of Georgia O’Keeffe’s hands from the first half of the 20th century. Also on view will be the artist’s most recent body of work\, a series of photographs created using a new and transformative process of multiple impression printing layered with hand coated gesso on canvas. These multi-dimensional works showcase the artist’s exploration of depth\, texture\, time\, and the relationship between photography and materiality. \nIn recent years\, Learoyd has mounted solo exhibitions at the Fundación Mapfre Casa Garriga Nogués in Barcelona\, the Victoria & Albert Museum in London\, the Getty Center in Los Angeles\, and the Nelson-Atkins Museum of Art in Kansas City. His upcoming presentation at Pace in New York will coincide with AIPAD’s 2025 Photography Show at the Park Avenue Armory\, where the gallery will organize a special program with the artist—further details will be announced in due course.” \nhttps://www.pacegallery.com/exhibitions/richard-learoyd-new-york/
URL:https://jamesmaherphotography.com/event/richard-learoyd-a-loathing-of-clocks-and-mirrors/
LOCATION:Pace\, 508 West 25th Street\, New York\, NY\, 10001\, United States
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