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X-ORIGINAL-URL:https://jamesmaherphotography.com
X-WR-CALDESC:Events for New York Photography, Prints, Portraits, Events, Workshops
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DTSTART;VALUE=DATE:20251003
DTEND;VALUE=DATE:20251112
DTSTAMP:20251004T031030Z
CREATED:20251004T031030Z
LAST-MODIFIED:20251004T031030Z
UID:10000081-1759449600-1762905599@jamesmaherphotography.com
SUMMARY:Zora Sicher: Geography
DESCRIPTION:Geography marks the first monograph by Zora Sicher\, presenting fifteen years of photographic work created between the ages of fifteen and thirty. This body of work\, gathered for the first time in book form\, embodies a profound milestone at a pivotal moment in the artist’s life. The accompanying exhibition proposes a space that functions like a time capsule—an environment where closure and contemplation converge\, inviting visitors to encounter Sicher’s photographs as letters\, letters in the epistolary form but also letters that make up a language; a story of our ever moving selves in a world that rocks us and pushes us against its own walls. \nZora Sicher is a Brooklyn-based photographer whose work bridges the shifting terrain of photography\, merging its identity as a means for reproduction to create slivers of truths that may not be replicable. Sicher thinks of the camera as a mediating device between herself and the subject. Her photographs stand as ruptures to the silence of reality and time. Sicher studied photography at the Fashion Institute of Technology for two years before relocating to Mexico City in 2016 to attend the National Autonomous University of Mexico (UNAM). During her two years there\, she self-published her first photobook. Geography (Dashwood Books\, 2025) is her first monograph. She now lives and works in New York City. \nhttps://dashwoodprojects.com/zora-sicher
URL:https://jamesmaherphotography.com/event/zora-sicher-geography/
LOCATION:Dashwood Projects\, 63 East 4th Street\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jamesmaherphotography.com/wp-content/uploads/2025/10/zs_book160.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250613
DTEND;VALUE=DATE:20250719
DTSTAMP:20250613T195520Z
CREATED:20250613T195520Z
LAST-MODIFIED:20250613T195520Z
UID:10000049-1749772800-1752883199@jamesmaherphotography.com
SUMMARY:Physique\, from the collection of Vince Aletti
DESCRIPTION:Dashwood Projects is proud to announce our next show Physique\, from the collection of Vince Aletti\, on view June 13th thru July 18th\, 2025\, an exhibition of over forty rare physique photography prints from the private collection of renowned critic and curator Vince Aletti.  Spanning the 1930s to the early 1960s\, these photographs chronicle a hidden\, coded world of homoerotic imagery. Once sold discreetly through mail-order catalogues and physique magazines\, the prints point to an emergent queer sensibility and visibility.  \nThe exhibition and accompanying book\, published by SPBH (Self Publish Be Happy)\, traces the historical and political significance of these images\, firmly establishing their place in the canon of photography. Celebrates the artistry of the photographers\, models\, and studios like Bruce of Los Angeles and Western Photography Guild that brought the photographs to life. Physique reveals a forgotten chapter of American gay culture in which photographic prints served as a lifeline\, connecting a community of men under threat while also providing solace\, pleasure\, and empowerment amid oppression.  \nhttps://dashwoodprojects.com/vince-aletti
URL:https://jamesmaherphotography.com/event/physique-from-the-collection-of-vince-aletti/
LOCATION:Dashwood Projects\, 63 East 4th Street\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jamesmaherphotography.com/wp-content/uploads/2025/06/VAP001b.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250514
DTEND;VALUE=DATE:20250525
DTSTAMP:20250516T174200Z
CREATED:20250516T174200Z
LAST-MODIFIED:20250516T174200Z
UID:10000048-1747180800-1748131199@jamesmaherphotography.com
SUMMARY:Bárbara Sánchez-Kane y Sofía Alazraki: Fortuna y Fetiche
DESCRIPTION:Bárbara Sánchez-Kane in the past five years has established herself as an important\, original voice in contemporary art. She represented Mexico with the video and sculptural installation Prêt-À-Patria at the 60th Venice Biennale (2024) and is represented by influential gallery Kurimanzutto in Mexico City and New York. Her work resists the traditional notions of Mexicanidad and its relationship with the feminine and masculine. Whether through fashion\, performance\, painting or installation\, all of her work presents the anxieties and fears of daily life to question pleasure and domination within a hegemonic masculine society. \nSofía Alazraki is a photographer and set designer working across art\, fashion\, and film. Formed as an art historian\, her practice focuses on still life photography and installation\, where she builds carefully choreographed assemblages with objects and unconscious mechanisms as active characters. Her work investigates how desire is projected onto objects and shaped within systems of consumption and representation\, unfolding as a multiplicity of symbolic and affective layers. \nThe collaboration between Bárbara Sánchez-Kane (Mérida\, Yucatán\, 1987) and Sofía Alazraki (Buenos Aires\, Argentina\, 1991) began as an exchange of letters between two friends. Love letters in odd formats. Like throwing a dart from one end of the world to the other. \nAt first glance\, these photos give the impression of an exquisite corpse\, sculptures made with parts that are added without a rational order (their logic is unconscious\, rather). Sometimes they look like little Frankensteins made of borrowed parts to animate a strange animal; at other times they have the comic qualities of collage\, of the sudden laughter provoked by the juxtaposition of two things that contradict each other. They are also erotic cyborgs\, representing the fetishes of their authors. Made up of second-hand objects\, they also raise the question of their past and the future that awaits them. They are sculptures made by two artists who love to manipulate religious\, lesbian\, and fashion symbols. \nJust as the objects have changed hands and had many lives\, the photographs are a testimony to the relationship between Sánchez-Kane and Alazraki\, which has also gone through many stages; they are a labor of love that keeps changing shapes\, an exercise in abandoning the ego to create a single and shared universe\, with no clear authorship\, but which cannot exist without the other. \nText by Guillermo Osorno \nThis show\, comprised of 11 (16 x 20 inch) pigment prints by the two artists and one sculpture by Bárbara Sánchez-Kane\, was made in collaboration with Speciwomen\, the non-profit arts organization committed to womxn and LGBTQIA+ artists.  \nThere will be a book published by Dashwood Books in May 2025 designed by Studio Lin in New York that accompanies the exhibition. \nhttps://dashwoodprojects.com/b%C3%A1rbara-s%C3%A1nchez-kane-y-sof%C3%ADa-alazraki
URL:https://jamesmaherphotography.com/event/barbara-sanchez-kane-y-sofia-alazraki-fortuna-y-fetiche/
LOCATION:Dashwood Projects\, 63 East 4th Street\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://jamesmaherphotography.com/wp-content/uploads/2025/05/2.jpg
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