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X-WR-CALDESC:Events for New York Photography, Prints, Portraits, Events, Workshops
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DTSTART;VALUE=DATE:20261015
DTEND;VALUE=DATE:20270112
DTSTAMP:20260812T170020Z
CREATED:20260812T170020Z
LAST-MODIFIED:20260812T170020Z
UID:10000148-1792022400-1799711999@jamesmaherphotography.com
SUMMARY:I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now
DESCRIPTION:I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now reconsiders and expands on the history of Japanese photography through the work twenty-eight intergenerational artists from the 1950s to today. Presented in partnership with Aperture and curated by Pauline Vermare\, Lesley A. Martin\, and Takeuchi Mariko\, the exhibition includes work Fujioka Aya\, Hara Mikiko\, Hiromix\, Ishikawa Mao\, Ishiuchi Miyako\, Katayama Mari\, Kawauchi Rinko\, Komatsu Hiroko\, Kon Michiko\, Nagashima Yurie\, Narahashi Asako\, Ninagawa Mika\, Nishimura Tamiko\, Noguchi Rika\, Nomura Sakiko\, Okabe Momo\, Okanoue Toshiko\, Onodera Yuki\, Sawada Tomoko\, Shiga Lieko\, Sugiura Kunié\, Suzuki Nozomi\, Tawada Yuki\, Tokiwa Toyoko\, Ushioda Tokuko\, Watanabe Hitomi\, Yamazawa Eiko and Yanagi Miwa. \nSpanning photography\, installation\, photobooks\, and printed matter\, the exhibition explores the experiences and perspectives of women in Japan through delicate and blunt observations of everyday life\, critical reflections on the roles inhabited and reshaped by Japanese women\, and approaches that push the boundaries of photography. The exhibition is accompanied by a major publication (Aperture\, 2024) that expands upon content of the show through essays\, historical material\, and a comprehensive bibliography of photobooks made by Japanese women. \nhttps://www.icp.org/exhibitions/im-so-happy-you-are-here-japanese-women-photographers-1950s-now
URL:https://jamesmaherphotography.com/event/im-so-happy-you-are-here-japanese-women-photographers-from-the-1950s-to-now/
LOCATION:International Center of Photography\, 84 Ludlow Street\, New York\, NY 10002\, New York\, NY\, 10002\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261030
DTEND;VALUE=DATE:20261216
DTSTAMP:20261015T150426Z
CREATED:20261015T150426Z
LAST-MODIFIED:20261015T150426Z
UID:10000170-1793318400-1797379199@jamesmaherphotography.com
SUMMARY:Stacy Kranitz: Ain’t No Grave Gonna Hold My Body Down
DESCRIPTION:Ain’t No Grave Gonna Hold My Body Down is drawn from a body of work by Stacy Kranitz that examines visual depictions of Appalachia from the invention of photography to the present day\, tracing how the region has been constructed\, challenged\, and reimagined over time. \nThe exhibition follows a chronology that begins with the first photographs produced in the region\, and shows how image-making was already a tool for shaping perceptions. A family portrait of the infamous Hatfield clan from 1888\, for example\, includes a young boy holding a revolver across his chest. The sections follow key moments in Appalachian history\, including the arrival of the FSA photographers and the War on Poverty\, and show how each moment corresponds to developments in photo technology. \nKranitz pairs a selection of the historical images with her own photographs\, which center on a decade-long friendship with Pat Greene\, a man living in a former coal town in West Virginia. Seen side-by-side\, the images invite comparisons: A creek baptism photo from 1940 is situated above an image of Greene holding a beer can and floating in an innertube. Are the two photos paired because he is enacting another kind of baptism\, with Kranitz noticing how people continue to use water as a gathering place? Or does the juxtaposition speak to the devolving state of spirituality? Or does it reflect how pollution has affected our ideas of water as a purifying source? Photography has always been an open story\, and its capacity for reevaluation is a large part of what makes it such an enduring medium. \nInterspersed throughout the exhibition’s photographs are pages from texts written by Harry Caudill and JD Vance\, two influential figures whose accounts of Appalachia placed blame on the Appalachian people themselves. Kranitz’s corresponding essay film\, on view here for the first time in New York\, adds a sensory dimension to the exhibition. You can hear the drawling Southern accents of the mountaineers\, watch how deftly they finger-pick a banjo for their family\, and listen in as Caudill says\, “This is truly a pitiful spectacle. … This is a reproof to the country.” \n— Laura Hutson Hunter\, Exhibition Curator \nhttps://wp.nyu.edu/gallatingalleries/stacy-kranitz-aint-no-grave-gonna-hold-my-body-down/
URL:https://jamesmaherphotography.com/event/stacy-kranitz-aint-no-grave-gonna-hold-my-body-down/
LOCATION:The Gallatin Galleries (NYU)\, 1 Washington Place\, New York\, NY\, 10003\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261106
DTEND;VALUE=DATE:20270315
DTSTAMP:20260906T162518Z
CREATED:20260906T162518Z
LAST-MODIFIED:20260906T162518Z
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SUMMARY:PROPS: Eikoh Hosoe and Jason Wee
DESCRIPTION:Curated by Yasufumi Nakamori. \nhttps://leslielohman.org/exhibitions/props-two-works-with-jason-wee-and-eikoh-hosoe
URL:https://jamesmaherphotography.com/event/props-eikoh-hosoe-and-jason-wee/
LOCATION:Leslie-Lohman Museum of Art\, 26 Wooster St\, New York\, NY\, 10013\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261125
DTEND;VALUE=DATE:20270426
DTSTAMP:20260310T011549Z
CREATED:20260310T011549Z
LAST-MODIFIED:20260310T011549Z
UID:10000126-1795564800-1808697599@jamesmaherphotography.com
SUMMARY:New York Now: After Dark
DESCRIPTION:Opening to the public on November 20\, 2026\, New York Now: After Dark is the next iteration of the Museum’s acclaimed triennial series. This edition will explore the vibrant and multifaceted nightlife of New York City through the lens of contemporary photography\, delving into what nightfall means to New Yorkers across the five boroughs. \nOnce the sun sets\, the city transforms into a realm of possibility\, mystery\, and freedom—where inhibitions fade and ambitions expand. For some\, nighttime is defined by work and commerce; for others\, it offers opportunities for leisure\, entertainment\, and social connection. These contrasting worlds intersect to create the distinctive\, electric energy that defines New York City after dark. \nAbout the Triennial \nIn 2023\, the Museum launched the Photography Triennial\, a bold and forward-looking initiative dedicated to showcasing the best of contemporary photography. The Triennial amplifies the voices of photographers who are capturing the vibrancy and complexity of New York today—its people\, streetscapes\, cultures\, and contradictions.  \nAbout the Museum’s Photography Collection \nThe Museum of the City of New York’s photography collection is a cornerstone of our mission to document and celebrate the dynamic story of New York City. Spanning from 1840 to the present day\, the collection is housed in a state-of-the-art facility and serves as an unparalleled visual record of the city’s transformation across nearly two centuries.  \nhttps://www.mcny.org/exhibition/new-york-now-after-dark
URL:https://jamesmaherphotography.com/event/new-york-now-after-dark/
LOCATION:Museum of the City of New York\, 1220 5th Avenue\, New York\, NY\, 10029\, United States
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