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X-ORIGINAL-URL:https://jamesmaherphotography.com
X-WR-CALDESC:Events for New York Photography, Prints, Portraits, Events, Workshops
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DTSTART;VALUE=DATE:20261106
DTEND;VALUE=DATE:20261218
DTSTAMP:20261105T181514Z
CREATED:20261105T181514Z
LAST-MODIFIED:20261105T181514Z
UID:10000176-1793923200-1797551999@jamesmaherphotography.com
SUMMARY:Katsu Naito: West Side Rendezvous
DESCRIPTION:New York Life Gallery is pleased to present West Side Rendezvous\, an exhibition of 27 black-and-white photographs by Katsu Naito\, curated by Joseph Akel. \nWest Side Rendezvous\, Katsu Naito’s black-and-white photographic series\, is a singular body of work depicting the Meatpacking District’s community of sex workers\, many of whom identified as queer and trans\, in the early 1990s. At the time the images were taken\, the Meatpacking District was a liminal space\, a neighborhood of derelict\, crumbling buildings and warehouses owned by the city’s meat distributors. Naito’s subjects\, many of them recurring throughout the series—Porsche\, Everlyn\, Egyptt\, Toni\, China Doll\, among them—appear on streets familiar to many of us today as high-end\, luxury destinations: West 14th\, Gansevoort\, Washington. \nWhen he first began taking photographs of the Meatpacking District’s sex workers\, Naito didn’t set out to make history; he set out to make contact\, though he sensed even then that this world would disappear. Like Robert Frank\, the Swiss émigré whose 1958 photo book The Americans portrayed post-war American society with verity and rawness\, Naito was an outsider. When he arrived in New York in 1983 from Maebashi\, a regional city in Japan\, he was on a three-year contract to work in a Japanese restaurant. With only limited English\, Naito purchased a camera as “a way of communicating with New York.” One afternoon\, walking west along 16th Street toward Tenth Avenue\, Naito glimpsed figures who\, from a distance\, appeared to be dancing. As he got closer\, Naito realized they were women working the street. Snapping a series of images\, later that evening he developed the negatives. In the words of Naito: “That was the beginning of everything.” \nhttps://www.newyorklifegallery.com/exhibitions/22-katsu-naito-west-side-rendezvous/
URL:https://jamesmaherphotography.com/event/katsu-naito-west-side-rendezvous/
LOCATION:New York Life Gallery\, 167 Canal St Fl 5\, New York\, NY\, 10013\, United States
ATTACH;FMTTYPE=image/jpeg:https://jamesmaherphotography.com/wp-content/uploads/2026/11/katsu-naito-west-side-rendezvous.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261106
DTEND;VALUE=DATE:20270315
DTSTAMP:20260906T162518Z
CREATED:20260906T162518Z
LAST-MODIFIED:20260906T162518Z
UID:10000161-1793923200-1805068799@jamesmaherphotography.com
SUMMARY:PROPS: Eikoh Hosoe and Jason Wee
DESCRIPTION:Curated by Yasufumi Nakamori. \nhttps://leslielohman.org/exhibitions/props-two-works-with-jason-wee-and-eikoh-hosoe
URL:https://jamesmaherphotography.com/event/props-eikoh-hosoe-and-jason-wee/
LOCATION:Leslie-Lohman Museum of Art\, 26 Wooster St\, New York\, NY\, 10013\, United States
ATTACH;FMTTYPE=image/jpeg:https://jamesmaherphotography.com/wp-content/uploads/2026/09/props-hosoe-wee-leslie-lohman.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261112
DTEND;VALUE=DATE:20270503
DTSTAMP:20261105T182051Z
CREATED:20261105T182051Z
LAST-MODIFIED:20261105T182051Z
UID:10000184-1794441600-1809302399@jamesmaherphotography.com
SUMMARY:A Long Shadow: Postwar Japan Through the Lens
DESCRIPTION:In the decades after World War II\, Japanese photographers turned their lenses toward a country in transition. The period of United States military occupation following Japan’s defeat after the war was a time of profound political\, economic\, and social upheaval. The Okinawa Islands—an archipelago occupied by the United States until 1972\, and still home to the majority of American military personnel stationed in Japan—along with porous towns bordering military bases became a focal point for many artists as a symbol of the clash between past and present\, tradition and modernization\, East and West. \nDrawn from The Met collection\, the artworks featured in A Long Shadow reveal how artists documented\, questioned\, and reshaped the social fabric of postwar Japan. They demonstrate the power of photography to not only record history but also to shape how it is understood. Monthly photography magazines and photobooks flourished as Japanese society grappled with these new realities\, publishing visual essays that helped readers interpret a rapidly changing nation. Artists rejected the objective style that had dominated wartime and postwar reportage and instead embraced a subjective approach rooted in personal experience. While Tōmatsu Shōmei\, one of the pioneers of modern Japanese photography\, examined the collision of American and Japanese culture in communities surrounding U.S. military bases\, photographers including Ishikawa Mao\, Ishiuchi Miyako\, and Tokiwa Toyoko explored the occupation’s impact on women’s lives—depicting their own experiences alongside those of friends and loved ones. Okinawan artists such as Yamashiro Chikako continue to address how the shadows of war remain woven into contemporary life. \nThe first exhibition at The Met of Japanese photography since 1995\, and the second to feature many rare books\, A Long Shadow also presents a group of new acquisitions by such artists as Tōmatsu\, Ishikawa\, and Ishiuchi\, who began making pictures in the shadow of the war. \nhttps://www.metmuseum.org/exhibitions/a-long-shadow-postwar-japan-through-the-lens
URL:https://jamesmaherphotography.com/event/a-long-shadow-postwar-japan-through-the-lens/
LOCATION:Metropolitan Museum of Art\, 1000 Fifth Avenue\, New York\, NY\, 10028\, United States
ATTACH;FMTTYPE=image/jpeg:https://jamesmaherphotography.com/wp-content/uploads/2026/11/a-long-shadow-postwar-japan-met.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261113
DTEND;VALUE=DATE:20270111
DTSTAMP:20261105T181546Z
CREATED:20261105T181546Z
LAST-MODIFIED:20261105T181546Z
UID:10000177-1794528000-1799625599@jamesmaherphotography.com
SUMMARY:Wang’s World: Photographs and Films of Harvey Wang
DESCRIPTION:Spanning decades of photography and filmmaking\, WANG’S WORLD offers an expansive look at Harvey Wang’s deeply observed portraits of people\, places and everyday American life. \nWang has spent his career photographing people from many walks of life. His portraits are marked by an intimacy and directness rooted in sustained engagement with his subjects. He has also documented New York City’s changing landscape\, particularly the East Village during the 1970s and 1980s—a period of profound social and cultural transformation. \nAn award-winning filmmaker as well as a photographer\, Wang works across documentary and experimental forms. By bringing his photographs and films together\, the exhibition reveals the connections between the single frame and the passage of time\, portrait and story\, and individual lives and the larger world around them. \nThe exhibition’s title reflects the breadth of Wang’s visual world: New Yorkers\, artists\, workers\, families\, strangers\, neighborhoods and fleeting moments. Together\, these works form a personal record of a changing city and country while reflecting Wang’s enduring interest in human connection and the act of looking. \nhttps://www.bronxdoc.org/bronx-documentary-center/exhibits/upcoming-exhibits/wang/
URL:https://jamesmaherphotography.com/event/wangs-world-photographs-and-films-of-harvey-wang/
LOCATION:Bronx Documentary Center\, 614 Courtlandt Ave\, Bronx\, NY\, 10451\, United States
ATTACH;FMTTYPE=image/jpeg:https://jamesmaherphotography.com/wp-content/uploads/2026/11/wangs-world-harvey-wang.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261118
DTEND;VALUE=DATE:20270111
DTSTAMP:20261105T185350Z
CREATED:20261105T185350Z
LAST-MODIFIED:20261105T185350Z
UID:10000188-1794960000-1799625599@jamesmaherphotography.com
SUMMARY:Alex Webb: Walking Blues
DESCRIPTION:Alex Webb captures in bold color the vitality of city life in the US—rich with visual rhythm and chance encounters—seeing the quintessential elements of American self-invention and improvisation. \nIn Walking Blues\, the acclaimed street photographer Alex Webb traverses some forty cities across the United States\, documenting moments of connection between communities with his signature eye for bold color and rhythm. Webb was inspired by the lift and pull of blues music\, a quintessential American musical form that scores the nation’s history\, and his photographs express the improvisation of chance encounters. The culmination of more than a decade of intuitive\, open-minded exploration\, Webb’s exhibition and accompanying publication are vivid chronicles of urban life today. \nhttps://aperture.org/exhibitions/alex-webb-walking-blues/
URL:https://jamesmaherphotography.com/event/alex-webb-walking-blues/
LOCATION:Aperture\, 380 Columbus Ave\, New York\, NY\, 10024\, United States
ATTACH;FMTTYPE=image/jpeg:https://jamesmaherphotography.com/wp-content/uploads/2026/11/alex-webb-walking-blues.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261119
DTEND;VALUE=DATE:20270128
DTSTAMP:20261105T181813Z
CREATED:20261105T181813Z
LAST-MODIFIED:20261105T181813Z
UID:10000180-1795046400-1801094399@jamesmaherphotography.com
SUMMARY:Dumebi Malaika Menakaya: fearfully and wonderfully made
DESCRIPTION:In fearfully and wonderfully made\, 2026 BAXTER ST Resident Artist Dumebi Malaika Menakaya brings together Christian iconography\, religious ritual\, and the visual language of queer culture. \nRooted in the artist’s upbringing in a Nigerian Christian household\, the exhibition derives its title from Psalm 139. Menakaya reinterprets scriptural terminology\, positioning queer bodies and spaces as sacred sites of worship. Rather than seeking accommodation within established religious frameworks\, the work presents queer community and ritual as sacred traditions in their own right. \nThroughout the exhibition\, familiar gestures take on new meanings. An image of a dancer voguing in his bedroom recalls both the crucifixion and a dip from ballroom culture. A diptych juxtaposing a communion wafer placed on a bare back with a bloodstained bedsheet offers another reading of the Christian sacrament. Bedrooms\, nightclubs\, and outdoor gathering spaces emerge as places of sanctuary\, intimacy\, and collective worship. \nThrough chiaroscuro\, obscuration\, and carefully considered compositions\, Menakaya explores the relationship between light and spiritual experience. The exhibition’s installation features variations in scale and placement that encourage visitors to move physically through the work\, evoking gestures of prayer\, from bowing one’s head to raising one’s gaze. The presentation culminates in quieter\, more intimate photographs. \nhttps://www.baxterst.org/events/fearfully-and-wonderfully-made/
URL:https://jamesmaherphotography.com/event/dumebi-malaika-menakaya-fearfully-and-wonderfully-made/
LOCATION:Baxter St (Camera Club of New York)\, 154 Ludlow Street\, New York\, NY\, 10002\, United States
ATTACH;FMTTYPE=image/jpeg:https://jamesmaherphotography.com/wp-content/uploads/2026/11/menakaya-fearfully-wonderfully-made.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261119
DTEND;VALUE=DATE:20270128
DTSTAMP:20261105T181845Z
CREATED:20261105T181845Z
LAST-MODIFIED:20261105T181845Z
UID:10000181-1795046400-1801094399@jamesmaherphotography.com
SUMMARY:Jiatong Lu: Nowhere Land
DESCRIPTION:In a new presentation of her ongoing project Nowhere Land\, artist Jiatong Lu brings together photography\, archival documents\, personal testimony\, and scientific research to examine the human toll of Lyme disease and the medical systems responsible for diagnosing and treating it. While centered on Lyme disease\, the exhibition engages broader themes of diagnosis\, chronic illness\, and quality of care\, speaking to larger systemic issues within the healthcare system. \nThe project began following Lu’s experience with Lyme disease in 2021\, which left her severely ill for an extended period. Through conversations with others experiencing persistent symptoms\, she began documenting the physical\, psychological\, social\, and financial consequences of illness\, particularly for patients struggling to obtain recognition and care. \nWhat began as a documentary project has evolved into a broader investigation of the history\, ecology\, and contested medical understanding of Lyme disease. Lu conducted research in Lyme\, Connecticut\, where the disease was first identified in the United States in the 1970s\, examining historical records and the advocacy of patients such as Polly Murray\, whose efforts helped bring an unexplained cluster of illnesses to medical attention. \nhttps://www.baxterst.org/events/nowhere-land/
URL:https://jamesmaherphotography.com/event/jiatong-lu-nowhere-land/
LOCATION:Baxter St (Camera Club of New York)\, 154 Ludlow Street\, New York\, NY\, 10002\, United States
ATTACH;FMTTYPE=image/jpeg:https://jamesmaherphotography.com/wp-content/uploads/2026/11/jiatong-lu-nowhere-land.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261120
DTEND;VALUE=DATE:20270426
DTSTAMP:20261105T185123Z
CREATED:20261105T185123Z
LAST-MODIFIED:20261105T185123Z
UID:10000126-1795132800-1808697599@jamesmaherphotography.com
SUMMARY:The Photography Triennial: After Dark
DESCRIPTION:Opening to the public on November 20\, 2026\, New York Now: After Dark is the next iteration of the Museum’s acclaimed triennial series. This edition will explore the vibrant and multifaceted nightlife of New York City through the lens of contemporary photography\, delving into what nightfall means to New Yorkers across the five boroughs. \nOnce the sun sets\, the city transforms into a realm of possibility\, mystery\, and freedom—where inhibitions fade and ambitions expand. For some\, nighttime is defined by work and commerce; for others\, it offers opportunities for leisure\, entertainment\, and social connection. These contrasting worlds intersect to create the distinctive\, electric energy that defines New York City after dark. \nAbout the Triennial \nIn 2023\, the Museum launched the Photography Triennial\, a bold and forward-looking initiative dedicated to showcasing the best of contemporary photography. The Triennial amplifies the voices of photographers who are capturing the vibrancy and complexity of New York today—its people\, streetscapes\, cultures\, and contradictions.  \nAbout the Museum’s Photography Collection \nThe Museum of the City of New York’s photography collection is a cornerstone of our mission to document and celebrate the dynamic story of New York City. Spanning from 1840 to the present day\, the collection is housed in a state-of-the-art facility and serves as an unparalleled visual record of the city’s transformation across nearly two centuries.  \nhttps://www.mcny.org/exhibition/new-york-now-after-dark
URL:https://jamesmaherphotography.com/event/new-york-now-after-dark/
LOCATION:Museum of the City of New York\, 1220 5th Avenue\, New York\, NY\, 10029\, United States
ATTACH;FMTTYPE=image/jpeg:https://jamesmaherphotography.com/wp-content/uploads/2026/03/MCNY.jpg
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